Category: Paintings & Drawings

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Polar Ardor

Polar Ardor (2021)

A short animation about polar life and love created by Camille Wainer (camillewainer.com) in collaboration with composer Sanford Bender (sanfordbender.com).

Inspired by the paper cut style of early animator Lotte Reiniger, Polar Ardor incorporates the additive techniques of woodblock stamping and Chine-collé printmaking to recreate a delicate landscape threatened by division and deterioration.The whimsical music of composer/architect Sanford Bender accompanies each stage of the polar bear’s journey through a varied composition using only two symbolic forms (the heart and the puzzle piece). Simply and subtly, Polar Ardor offers an optimistic message about the importance of collaboration and compassion in the face of an uncertain future.

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Lycanthrope

“Lycanthrope” composed, performed, and recorded with voice singing original poem and accompaniment on guitar, and banjo by S.R. Bender on December 24, 2015
“Werewolf” painted with gouache by S.R. Bender

Lycanthrope

Darting furtively through the mist

Cursed under lunar brightness

The valiancy of my heart

Slashed by razor teeth

Became my darkest side

Evil enclosing

My nocturnal lair

* * * * * * * * * * * * * * * * *

Mud tracked prints

Find me sprawled

In the dawn of twisted sheets

Like tormented trees

Gnarled from remembering

What blackened life

Is forever gone

* * * * * * * * * * * * * * * * *

But only the music

Of wind and owls

And the crackling rain

Had abided my incessant howls

Until yet another night

When gliding clouds

Reveal another full newness of moon

* * * * * * * * * * * * * * * * *

S.R. Bender, January 8, 2011

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“The Mermaid” (Child No. 289) from the Ballad Book by John Jacob Niles

“Sailing ships at sea” drawn by Sandy Ross Bender from “Ships in a Stormy Sea off a Coast” by Dutch Painter Ludolf Backhuisen C. 1690 exhibited at the North Carolina Museum of Art in 2019. *
“The Mermaid” arranged, performed, and recorded by Sandy Ross Bender with voice, guitar and harmonica on March 27, 2021

Oh the stormy winds do blow,

with the landlubbers down below,

And the sailor-men a-climbing to the top,

To haul in the riggin’-o.

T’was Sunday night, our sails were set

We hardly cleared the land-o,

When we spied a mermaid a-swimming by,

A comb and a glass in her hand-o.

The captain plumbed with a lead and a line,

He plumbed for to reach the sand-o,

While the winds and the waves did toss and roar,

We knew we’d never see land-o.

Then three times ’round went our gallant ship,

And three times more went she,

And the mate and the cabin boy said goodbye,

As we sank in the salt, salt sea.

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Two dancing pigs

“Two Dancing Pigs” Pastel Drawing Detail by Sanford Ross Bender

“Two Dancing Pigs” composed, performed, and recorded on one track with acoustic guitar and harmonica. Previously included on “Terrain” CD 2015 by Sanford (Sandy) Ross Bender

“Two Dancing Pigs” was improvised by playing harmonica and guitar simultaneously. Any discomfort in physically managing two instruments was alleviated through closed-eye visualization of two dancing pigs squealing with delight in each other’s company. The artwork is a detail of the pastel drawing used in my previous post, “The Listening Drum.” Looking closer allows one to see two dark pig-like shapes appear (among other creatures such as a spider, a bat, or a raven’s tail). Perhaps, rainbow colored waves are perceived as dancing while the pig duo floats and soars overhead in sea spray and thermal undulations. A colorful drawing appearing to depict a single slice in time awakens and sequentially shape-shifts to melodic rhythms of musical joy.

You can find “Two Dancing Pigs” and other pieces on Sandy Bender’s album Terrain.

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Long snowy walk home under a crescent moon

“Snowy forest” drawn with pen and ink on paper by Sandy Bender in 1981.
“Winter Spruce in snow beyond” drawn with pen and ink by Sandy Bender on January 23, 1995
“Snowy hills” drawn with pen and ink by Sandy Bender in April, 1996.
“Long snowy walk home under a crescent moon” composed. performed and recorded with acoustic guitar (with and without metal tube slide on separate tracks) by Sanford R. Bender on September 12, 2021.